The seven girls posed, preened and smiled with all the energy of Miss Universe contestants, but this was no ordinary pageant.
The competitors, from about 6-years-old to 16, had just paraded through a downpour to a small stage surrounded by mountains, where they displayed elaborate outfits handmade from wood, plants or, in one case, jingling shells. And the judges also sought a special kind of beauty: those who most resembled Puerto Rico’s native Indian tribe, the Taíno, received higher marks.
“It’s different,” said Félix González, president of the National Indigenous Festival of Jayuya, of which the pageant is a part. “It’s not white culture and blue eyes; it says that the part of our blood that comes from indigenous culture is just as important.”
Puerto Ricans have long considered themselves a mix of African, European and Native American influences. But since the 1960s, the Taíno — a tribe wiped from the Antilles by European conquest, disease and assimilation — has come to occupy a special place in the island’s cultural hierarchy.
The streets of Old San Juan are lined with museums and research centers dedicated to unearthing Taíno artifacts and rituals. Children are taught from a young age that “hurricane” is Taíno in origin, from the word “huracán,” while no Latin pop music concert is complete without a shout out to Boricuas — those from Borinquen, the Taíno name for Puerto Rico, which means “land of the brave noble lord.”
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